Amazingly few discotheques provide jukeboxesAmazingly few discotheques provide jukeboxes
Jackdaws love my big sphinx of quartzJackdaws love my big sphinx of quartz
Wolf zombies quickly spot the jinxed graveWolf zombies quickly spot the jinxed grave
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Nicholas Jenson's seminal type of the 1470s was a book face, around 16pt in size, and this has been reflected in the majority of Jenson revivals, which tend to have a bookish elegance with plenty of stress contrast. It was also roughly printed, by subsequent standards, and this too has influenced the appearance of the revivals, which generally sport a graceful patina of distress, formalizing the letterpress-process irregularities as part of the type design. Goodchild, a Jenson revival, is true to the original in the shape of its curved forms, its character construction, its tight fit, its modulation of stroke contrast, and its variety of x-height and serif size. But with its large x-height and short capitals, it is a small-text workhorse that matches Utopia's word-count, and its crisp, no-nonsense details provide a contemporary freshness at display sizes.
Five weights: Regular, Italic, Bold, Bold Italic, Display.
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