Amazingly few discotheques provide jukeboxesAmazingly few discotheques provide jukeboxes
Jackdaws love my big sphinx of quartzJackdaws love my big sphinx of quartz
Wolf zombies quickly spot the jinxed graveWolf zombies quickly spot the jinxed grave
Lorem ipsumLorem ipsum dolor sit amet, consectetur adipisicing elit, sed do eiusmod tempor incididunt ut labore et dolore magna aliqua. Ut enim ad minim veniam, quis nostrud exercitation ullamco laboris nisi ut aliquip ex ea commodo consequat.
Christian Robertson’s Dear Sarah harks back to a time when people wrote to loved ones in longhand on wax-sealed stationery. Until the advent of OpenType, the magic of handwritten characters was ruined when identical letters glaringly showed up twice in a row. Dear Sarah Pro uses OpenType to its full potential, with hundreds of contextual alternates that allow natural cursive connections, plus swash, dingbats, and small caps. Dear Sarah is also available in PostScript and TrueType flavors for applications that cannot take advantage of the advanced typographic capabilities of the OpenType format.
About the designer:
Christian Robertson designed his first digital font in 1986 when he was in the fifth grade. It was aptly titled ‘Christian’. Since that first encounter with ResEdit, he has spent thousands of hours in the blue glow of the monitor tweaking type. When he’s not drawing type, Christian works designing/programming interfaces as a Senior Media Designer at Punchcut in San Francisco. Christian also operates Betatype, an independent, one-man type foundry. Betatype offers custom type design services as well as commercial fonts.
Fonts in the Umbrella collection are licensed for 5 users, with the exception of fonts by Alphabet Soup (6 users), Font Diner (2 users), Sideshow (2 users), and Underware (1 user).